A reflection on my time at the Critics Choice Association's celebration of Black entertainers in film and television.

The Last Showgirl,” directed with melancholy sweetness by Coppola, features Anderson as Shelly, the oldest showgirl on the ...

Particularly at a time when women’s rights are in jeopardy here in the United States and around the world, “Dirty Angels” ...

After months of morose awards season fare, there’s something so refreshing about the refined simplicity of the Netflix ...

That said, sometimes these elements give his work a homespun charm, making “Theater of Thought” feel like a home movie your ...

“September 5” takes viewers inside a TV control room in 1972, where ABC Sports broadcasters face an unprecedented crisis: ...

While it has its issues, mostly around repetitive combat mechanics, “The Veilguard” does a lot of things very well, including a depth of character we don’t often see in games like this and an emphasis ...

“No Other Land” Runners-up: “All We Imagine as Light,” “The Brutalist,” “Coma,” “Dune Part Two,” “Flow,” “Good One,” “Hit Man ...

The Chicago Film Critics Association presented their awards last night and RaMell Ross was the big winner, taking home prizes ...

Sony’s latest Spidey yarn is a charmless stinker that’s only well-polished enough to make you resent the stench.

Filmmakers Laura Mora and Alex García López clearly have great reverence for the work, and perhaps it needs this literal ...

Dead to Me” creator Liz Feldman has once again delivered a whip-smart and heartfelt comedy for Netflix. This time, the series ...