Holy happy trail, Batman!” Stephen Colbert enthused, over an en-plein-air portrait of a shirtless and beaming Luigi Mangione, ...
Follow @newyorkercartoons on Instagram and sign up for the Daily Humor newsletter for more funny stuff.
The Brutalist,” the director’s nearly four-hour study of immigration, identity, and marriage, flowed from his own struggle to ...
The family members regularly break into impressively harmonized, Osmond-family-level carol arrangements that they’ve clearly ...
The Criterion Channel, the foremost moveable source for art-house and repertory cinema, thrillingly expands its offerings ...
It’s a big and bitter surprise to discover that Marielle Heller’s new film, “Nightbitch,” is, for the most part, excruciating ...
You’re reading The New Yorker’s daily newsletter, a guide to our top stories, featuring exclusive insights from our writers ...
From the daily newsletter: a favorite winter dessert. Plus: profits over people in the health-care industry; Jon Lee Anderson ...
On Chris Wray’s self-defenestration and the dilemma of being on the pugilistic President-elect’s target list.
Caroline Blackwood inspired paintings by Lucian Freud and poetry by Robert Lowell. Her own work has been unjustly forgotten.
Health insurers and hospitals increasingly treat patients less as humans in need of care than consumers who generate profit.